Hideko G. Ono 大野秀子 グレイス

works in creative direction, editorial, and collaborative projects. She is from Papua New Guinea and Japan and currently lives and works in Kyoto. She works with artists and thinkers within the fields of contemporary art, printing, and experimental publishing. Her interests include registers of multiplicities, writing, and ways in which cultural studies address the critical challenges posed by artistic practice.


パプアニューギニアと日本のルーツを持つクリエイティブ・ディレクター。現在京都在住。現代美術や出版の分野で活躍するアーティストや思想家とコラボレーションに集中。主に、多重性のレジスター、パフォーマンスとしての執筆行為、芸術的実践がもたらす批判的課題にカルチュラル・スタディーズが取り組む方法などに関心を持っている。










Index


2024
Writing                               
A starter for clarification|un Magazine Issue 18.2
un Projects

2024
Publication
Listening
black cat day dream

2024
Publication
TRANSCENDENCE Catalogue       
KYOTOGRAPHIE International Photography Festival

2024
Literary Salon
After Sappho by Selby Wynn Schwartz                                            
Isabelle Olivier, Suzette Robichon, Foster Mickley

2023
Publication
black cat day dream

2023Workshop   The Seminary of Estatic Poetics Gabrielle Octavia Rucker

2023Artwork   Asad Raza
black cat day dream

2023
Multiple
Elena Tutachikova

2022PublicationXIE Bicycles Free Paper
XIE Bicycles & MNK press

2022ArtworkThomas Demand
Private commission

2022MultipleHashimoto Masaya                
Benrido, Inc. & London Gallery

2021
Multiple
Atelier EXB


2021
Publication
MNK press

2021MultipleImpermanence by Izu Kenro
Veritas Editions

2020
Artwork
Nederlands Fotomuseum

2019MultipleSuda Issei Minyō Sanga & Monogusa Shūi
Benrido, Inc.

2019MultipleMasahisa Fukase: Family (Special Edition)
MACK

2019MultipleHao Liang: Circular Pond    
Vitamin Creative Space

2019MultipleMasahisa Fukase Color Approach
Benrido, Inc.

2019
Artwork
Benrido, Inc.

2019
Multiple
Private commission

2018
Artwork
Benrido, Inc.

2018Multiple    Masahisa Fukase Raven Scenes
Benrido, Inc.

2018Multiple    Harold Ancart Untitled, 2018
Private commission

2018MultiplePrivate Scenes Masahisa Fukase
Atelier EXB & Benrido, Inc.

2018
Artwork
Private commission

2018
Artwork
Private commission

2017
Multiple
Benrido, Inc.

2017
Multiple
Benrido, Inc.

2017
Multiple
Benrido, Inc.

2017
Multiple
Benrido, Inc.

2017
Multiple
Benrido, Inc.

2017
Multiple
Saul Leiter 1950s New York                    
Benrido, Inc.

2017
Multiple
Benrido, Inc.

2016
Multiple
Museum Bonnefanten

2016
Publication
The Heavy Collective

2016-2022
Publication
Benrido, Inc.

2016-2022
Publication
Benrido, Inc.

2016-2022
Artist Residency
Benrido, Inc.

2016
Publication
Joana Durães

2016
Magazine
Amana, Inc.

2016
Publication
MNK press

2016
Photobook
Zen Foto Gallery

2015
Photobook
MNK press

2015
Essay
Zen Foto Gallery

2014
Writing
TABF

2014
Website
shashasha

2014
Educational Inst.
The Market Photo Workshop







un Magazine Issue 18.2
Writing 
2024



Essay contribution in issue 18.2 guest edited by Joel Sherwood Spring titled A starter for clarification.

The text speaks to bodies in wounding, and the use of trauma discourse within the National Museum & Art Gallery Papua New Guinea’s Kokoda Gallery, built to commemorate WWII. Two artworks in particular will be discussed as starting points; Nora Heysan's Sister M. Russel nursing at the 106th Australian Casualty Clearing Station (1944), and William Dargie's Native bearers carrying wounded in New Guinea (1943). 


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un Projects publishes writing that emerges from art making, providing an independent platform for critical discussions about local artistic practice. With a focus on artists, writers, and independent practice, un Projects publishes essays, artists’ work, and reviews, in print and online. The flagship publication is un Magazine an independent contemporary art magazine published bi-annually, founded in 2004 by Melbourne artist Lily Hibberd. It is printed in Narrm/Melbourne, Australia.



© un Projects






Listening
Publication
black cat day dream 
Collaboration, Designer
2024


Listening is a book of poetry by Lithuanian-American artist Foster Mickley. A primer in lead to its publication in Japanese, English, and French, this first iteration is written in English and its makings work as both experiment and exercise. Waves and tidal skies make imagery of oceans and starlight mnemonic, possession lives in softness and the feeling of a shared “our” sets one alight in soft blaze. Words are given room to be made sonic, voiced by the reader, and held as gentle breath-turned-breaks. Here the plateaus as waves, as mountains, are shaped by wind and rain, their sounds move from one to the other finding home in places made various. Within these fields, Listening evokes spaces weathered in safety, made in hope for a shared commons and for a shared world of words.


*  *  *

Publication Details

Poetry by Foster Mickley
Edited and designed by Hideko G. Ono and Isabelle Olivier
Handbound by Isabelle Olivier and Hideko G. Ono

Softcover, 51 pages 
133 x 210 mm
90 copies in total bound in varying covers of light purple, sky blue, and pale pink

Signed and numbered

Initial English release June 22, 2024
Published by black cat day dream press
Printed in risograph by Hand Saw Press Kyoto


Available to view with Yvon Lambert


         







TRANSCENDANCE
Exhibition Catalogue
View
KYOTOGRAPHIE International Photography Festival
Creative & Editorial Direction
2024


TRANSCENDANCE is the official catalogue for the exhibition TRANSCENDANCE presented by the KYOTOGRAPHIE International Photography Festival held at Vague (Arles) as part of the Associated Program of the 2024 edition of ARLES Rencontres de la Photographie. The exhibition brought together the work of six Japanese female photographers who explore the multiple languages of photography, transforming it into a tool of affirmation and resilience: Hosokura Mayumi, Iwane Ai, Okabe Momo, Suzuki Mayumi, Tonomura Hideka, and Yoshida Tamaki. 

This special edition catalogue features the work of each exhibited artist as accordion booklets held in a custom-embossed case. The accompanying text is available in English, French, and Japanese

Produced in two weeks and against a seemingly impossible schedule, the catalogue was made possible through collaborative efforts with the lead designer, Hiroyuki Yamada. My sincere thanks go to him. 



*  *  *

Publication Details

Direction by Lucille Reyboz & Yusuke Nakanishi

In collaboration with Hideko G. Ono

Graphic Design by Hiroyuki Yamada (RAS inc.)

Translation  (French & English) by Zoé Isle de Beauchaine
Translation (English to Japanese) by Sayaka Sameshima
Translation (Japanese to French) by Corinne Quentin

Dimensions: 211 x 149 x 6mm

Published by KYOTOGRAPHIE
670-10 Shokokujimonzen-cho, Kamigyo-ku
Kyoto 602 – 0898 JAPAN

Printed by Nissha Printing Communications, Inc.

ISBN : 978-4-9913706-0-1









Literary Salon|After Saphho
Literary Salon
black cat daydream, Suzette Robichon
Participation & Reading
2024



"…. SAPPHO, c.630 BCE

The first thing we did was change our names. We were going to be Sappho.

Who was Sappho? No one knew, but she had an island…

We read Sappho at school, in classes intended merely to teach poetic metre. Very few of our teachers imagined that they were swelling our veins with cassia and myrrh. In dry voices they went on about the aorist tense, while inside ourselves we felt the leaves of trees shivering in the light, everything dappled, everything trembling. “



Literary Salon with Selby Wynn Schwartz author of After Sappho. My reading was taken from page 90 titled Sappho Fragment 19, 1901.

Held March 17th,  2024 at Cité Internationale des Arts – site de Montmartre
Organised by Isabelle Olivier, Suzette Robichon, Foster Mickley




森と光
Publication 
black cat daydream
Collaboration, Designer, Editor
2023



Guided by echoes sonorous in blue, ocher, and amber, its wakefulness is voiced alongside its light-dark cycle, and within these spaces I am both matutinal and vespertine. Its gentle unfolding occurs through each succession of image, and is felt in its steadied pause in breath. Images work as gifts within the poetic signal.  Their light-tones extend as unadorned lyric, and are given as visual charis. They appear in us as transformative exhalations, our voices carriers of the knowing, its clouds take shape in a gestured caress. These thread-suns encourage the opening of a center, for divergence, for an unfixed-ness to a particular place or reading,—save for each new sun.



Artists' publication made in response to a residency program held at the Field Science Education and Research Center of the Department of Forest Science, Kyoto University.


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Publication Details

Photographs by Foster Mickley
Words by Foster Mickley, Tateno Ryunosuke, and Isabelle Olivier
Edited and designed by Isabelle Olivier and Hideko G. Ono
Translation by Kojiro Kisaka and Isabelle Olivier 
Handbound by Isabelle Olivier, Hideko G. Ono, Katja Lee Eliad and Valentina Iancu

Softcover, 72 pages 
183 x 252 mm
200 copies, signed and numbered


1st edition released December 16th, 2023
Published by black cat daydream press
Printed by Syubisya 

ISBN 978-4-911241-00-4











The Seminary of Estatic Poetics
End of Year Undoing (EOY)
Workshop
Gabrielle Octavia Rucker
Participation
2023




The Seminary of Ecstatic Poetics is a sometimes-school run by Gabrielle Octavia Rucker.
Classes happen infrequently and are birthed through whim and positive obsession. 


© Gabrielle Octavia Rucker & Hideko G. Ono





Asad Raza
View
    black cat daydream
    Collaboration
    2023


© black cat day dream & Asad Raza



Echoes: O
Multiple
View
Elena Tutatchikova
Proofreader (English)
    2023



© Elena Tutatchikova




XIE Bicycles Free Paper
Publication
View
  • XIE Bicycles & MNK press
  • Publisher & Designer
  • 2022


A project made with a dear friend and bicycle builder, Nagatani Shin. A love letter for all bicycles, and all ways of riding.

Shin runs and owns XIE Bicycles located in Shugakuin; a small and cozy hamlet just under the mountains in the northern suburbs of Kyoto city.  

The zine works as a letter, and its first iteration focused on Taiwan’s Cycling Route 1. It was meant to continue as a series but turned instead into ephemera  -  we only managed to make the one.  


@xie_bicycle


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Publication Details


Title: XIE Bicycles Free Paper vol. 1
Size: 175 x 250mm
Words and photographs:  Nagatani Shin
Japanese to Mandarin translation: Nagatani Shiki
Japanese to English translation, proofreading: Nagatani Shiki, Hideko G. Ono
Binding:  hand folded by Nagatani Shin, Nagatani Shiki & Hideko G. Ono

Publication date: February 2022
Edition: 300 - 500

Printed by  risograph at Hand Saw Press Kyoto
















Thomas Demand, Schilf
Artwork
View
    Studio Thomas Demand
    Lead Production & Project Management
    2022


Private commission of artwork produced by Benrido Collotype Atelier. 


© Studio Thomas Demand