Hideko G. Onoć€€å¤§é‡Žē§€å­ ć‚°ćƒ¬ć‚¤ć‚¹

works in creative direction, editorial, and collaborative projects. She is from Papua New Guinea and Japan and currently lives and works in Kyoto. She works with artists and thinkers within the fields of contemporary art, printing, and experimental publishing. Her interests include registers of multiplicities, writing, and ways in which cultural studies address the critical challenges posed by artistic practice.


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Index


2026
Production
Artists’ books & prints
black cat day dream

2026
Publisher Ā 
The Bird in the Bird Dance by Russell Soaba
MNK press

2025
Book Design Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā 
listening|Third Edition
black cat day dream

2025
Book Design Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā 
listening|Second Edition
black cat day dream

2025
Editorial Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā 
KYOTOGRAPHIE: äŗ¬éƒ½ē‰©čŖžļ½œåäŗŒę”Æ
KYOTOGRAPHIE International Photography Festival

2024
Writing Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā Ā 
A starter for clarification|un Magazine Issue 18.2
un Projects

2024
Book Design
listening
black cat day dream

2024
Editorial
TRANSCENDANCE Catalogue Ā  Ā  Ā Ā 
KYOTOGRAPHIE International Photography Festival

2024
Literary Salon
After Sappho by Selby Wynn Schwartz Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā Ā 
Isabelle Olivier, Suzette Robichon, Foster Mickley

2023
Editorial & Book Design
black cat day dream

2023Workshop Ā  The Seminary of Estatic Poetics
Gabrielle Octavia Rucker

2023Artwork Ā  Asad Raza
black cat day dream

2022EditorialXIE Bicycles Free Paper
XIE Bicycles & MNK press

2022ArtworkThomas Demand
Private commission

2022MultipleHashimoto Masaya Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā 
Benrido, Inc. & London Gallery

2021
Multiple
KYOTOGRAPHIE International Photography Festival

2021
Multiple
Atelier EXB


2021
Publisher
MNK press

2021MultipleImpermanence by Izu Kenro
Veritas Editions

2020
Artwork
Nederlands Fotomuseum

2019MultipleSuda Issei Minyō Sanga & Monogusa Shūi
Benrido, Inc.

2019MultipleMasahisa Fukase: Family (Special Edition)
MACK

2019MultipleHao Liang: Circular Pond Ā  Ā 
Vitamin Creative Space

2019MultipleMasahisa Fukase Color Approach
Benrido, Inc.

2019
Artwork
Benrido, Inc.

2019
Multiple
Private commission

2018
Artwork
Benrido, Inc.

2018Multiple Ā  Ā Masahisa Fukase Raven Scenes
Benrido, Inc.

2018Multiple Ā  Ā Harold Ancart Untitled, 2018
Private commission

2018MultiplePrivate Scenes Masahisa Fukase
Atelier EXB & Benrido, Inc.

2018
Artwork
Private commission

2018
Artwork
Private commission

2017
Multiple
Benrido, Inc.

2017
Multiple
Benrido, Inc.

2017
Multiple
Benrido, Inc.

2017
Multiple
Benrido, Inc.

2017
Multiple
Benrido, Inc.

2017
Multiple
Saul Leiter 1950s New York Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā 
Benrido, Inc.

2017
Multiple
Benrido, Inc.

2016
Multiple
Museum Bonnefanten

2016
Publication
The Heavy Collective

2016-2022
Editorial
Benrido, Inc.

2016-2022
Editorial
Benrido, Inc.

2016-2022
Artist Residency
Benrido, Inc.

2016
Publication
Joana Durães

2016
Magazine
Amana, Inc.

2016
Publisher
MNK press

2016
Photobook
Zen Foto Gallery

2015
Publisher
MNK press

2015
Essay
Zen Foto Gallery

2014
Writing
TABF

2014
Writing
shashasha

2014
Educational Inst.
The Market Photo Workshop








Currently moving through Close Listening (2003–2022)Ā 
and DICTEE. This section was last updated on 2 March 2026.



Lift me up mom to the window the child looking
above too high above her view the glass between
some image a blur now darks and greys mere
shadows lingering above her vision her head tiltedĀ 
back as far as it can go. Lift me up to the window theĀ 
white frame and glass between, early dusk orĀ 
dawn when light is muted, lines yield to shades,Ā 
houses cast shadow pools in the passing light. Brief.Ā 
All briefly towards the night. The ruelle is an endlessĀ 
path turning the corner behind the last house. Walls
hives of stone by hand each by each harbor the gold
and reflect the white of the rays. There is no oneĀ 
inside the pane and the glass between. Trees adhere
to silence in attendance to the view to come. If to
occur. In vigilance of lifting the immobile silence. Lift
me to the window to the picture image unleash theĀ 
ropes tied to weights of stones first the ropes then itsĀ 
scraping on wood to break stillness as the bells fall
peal follow the sound of ropes holding weight scrap-
ing on wood to break stillness bells fall a peal to sky.Ā 

—Theresa Hak Kyung Cha



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